Earagail Arts Festival, in association with Paradigm, presents John Grant.
A rare stripped–back live show where John will perform solo, playing songs from across his celebrated career.
“Each record I make is more of an amalgamation of who I am,” says John Grant. “The more I do this, the more I trust myself, and the closer I get to making what I imagine in my head.”
Even when the Michigan-born man released his debut solo album Queen Of Denmark in 2010, Grant laced sumptuous soft-rock ballads with an array of spacey, wistful synthesizer sounds, increasingly adding taut, fizzing sequencers, nu-synth-disco settings and icy soundscapes to the mix on 2013’s Pale Green Ghosts and 2015’s Grey Tickles, Black Pressure, the latter The Guardian described as, “variously agonising, hilarious, uplifting and moving: another bravura display from a unique songwriting talent.”
With his fourth solo album Love Is Magic, Grant continues to evolve, creating his most electronic record yet, in collaboration with Benge (Ben Edwards), analogue synth expert/collector and a member of electronic trio Wrangler, Grant’s collaborators earlier this year under the collective name of Creep Show on the album Mr Dynamite.
Produced by Grant (together with Benge and Paul Alexander), and engineered by Benge at his Cornish studio, the diamond-hard, diamond-gleaming Love Is Magic, “is closer still to how I’ve always wanted my records to sound, but I didn’t know how to go about it,” Grant says. Already mentioned above, he also called on bassist Paul Alexander of Denton, Texas maestros Midlake, renewing a working relationship that began on Queen Of Denmark. “Paul trained in music theory at UNT in Denton, Texas with an emphasis in Jazz and I knew he would come up with beautiful harmonies, so I unleashed him on the backing vocals,” Grant enthuses. “He comes up with interesting angles rather than the obvious and also plays some of the best bass lines I’ve ever heard.”
Besides the quest for sound, “the lyrics, of course, continue to be very important to me,” says John. “They’re just snapshots of everyday life where myriad moods and every sort of horrible and hilarious occurrence one can imagine mix with the pedestrian resulting in the absurdity and beauty of life.”
Anyone familiar with Grant’s story will recognise his battles – with addiction and health, with trusting love and relationships. From this turbulence he’s forged another riveting collection of often brutal diatribes and confessionals, where humour, fear, anxiety and anger overlap as Grant, with trademark candour, figuratively exposes the machinations of his saturated brain.
There’s much else to tell about Grant: how the demise of his first band The Czars led him to abandon music for five years before an instantly acclaimed solo career, chart success (Grey Tickles… went Top Five in the UK) and a Best International Male Solo Artist nomination at the 2014 BRITS alongside Eminem and Justin Timberlake. Sinead O’Connor and Tracey Thorn have guested on Grant’s records, he’s sung live with Alison Goldfrapp and Kylie Minogue, performed at the 2017 Songs Of Scott Walker (1967-70) BBC Prom, and co-written/sung on Hercules & Love Affair and Robbie Williams albums. He recorded the “Kindling” duet with Elbow then went on to tour with them in spring 2018. His music has been used in films such as Andrew Haigh’s drama Weekend and Daisy Asquith’s Queerama. In 2016, he fronted BBC Radio 4’s Reimagining The City, taking listeners around Reykjavik, where Grant has lived since 2012; in April 2017 he curated North Atlantic Flux: Sounds from Smoky Bay in Hull, showcasing thrilling and innovative musicians from Scandinavia and Iceland. But that is the past, just as Grant’s autobiography, for publishers Little, Brown, is the future. The present is Love Is Magic, the latest instalment in Grant’s astonishing story.
Hailing from Co Armagh, Conchúr (pronounced Conor) previously fronted the band Silences who achieved notable success in Ireland. Upon parting ways, Conchúr felt an outpouring of creativity and ended up writing and recording ten solo demo tracks in his bedroom over the course of just one month. ‘Daisies’, ’Channing Tatum’, and ‘Bikini Crops’ all came to life during this period and form the basis of his debut EP, full details of which will be announced very shortly. Indicative of his raconteur nature, Conchúr’s lyrical influences include the likes of Father John Misty, Lana Del Rey, Alex Turner, and Charles Bukowski. There’s a dream-like surrealism in White’s musical storytelling which he delivers with understated theatrical manner.
This event is a part of the Earagail Arts Festival – 18 days of music, theatre, visual arts, film, literature, circus & carnival on Ireland’s North West Atlantic seaboard from 9 to 26 July 2020.