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CAROL MOORE’S AN GRIANÁN TOUR BLOG 2

On reaching 60 in 2016, actor/writer, Carol Moore didn’t see herself reflected in contemporary Irish theatre, nor was she being offered challenging roles for her own age-group.

She felt invisible as an older woman and redundant as an older artist. For 18 months Carol has been writing and developing a one-woman play titled The Experience of Being which, following three dates at the Grand Opera House in Belfast next week, An Grianán Theatre is delighted to be presenting for ten tour dates across the island of Ireland over the coming month, including three performances in County Donegal. FULL DATES HERE

The Experience of Being is a funny, absorbing and moving one-woman play about dwindling power, how to challenge it and why ageism makes growing older far harder than it needs to be. FIND OUT MORE HERE

Carol Moore has been giving us an insight into the lead-up to Opening Night of her play The Experience of Being. Her are her latest diary entries.

Friday, 3 May
It’s Friday and we got two runs in. Taking on Patrick’s notes about the heightened state Cathy is in until she finally breaks down at the dinner table and the night isn’t over. Conor also pushing the sax which goes to dark places musically and emotionally. Actor and musician matching each other as the stakes are raised. It’s heartbreaking that a woman of 60 feels so out of control and I suspect many women in the audience will recognise what that feels like.

Sunday, 5 May
“Decision to change costume. Body image and that other taboo that we need to ditch, the pressure to look young instead of simply feeling great about ourselves. It’s Saturday and life imitates art and an early scene in the play when someone slides into the back of my car nudging me onto the roundabout. I was lucky there was nothing coming at that moment but it shook me. I really do know how Cathy is feeling. Don’t panic An Grianán, I am absolutely fine!

Monday, 6 May
Bank Holiday Monday was going to be a day off but when you are leading up to an opening night, not running the show between Saturday and Wednesday morning makes you feel uneasy. So we got into the Baby Grand to run the piece in the space. Always very different. You have to recalibrate to the new conditions – coming in from a different side, playing the raked seating, using much more voice, assessing if the journey of the play is clear and refining moments in the play that the new space is throwing up.

Tuesday, 7 May
Tuesday is tech day, meaning all the lights have to be focused, coloured and cues plotted. Also a big day for the setting the final music of the piece. Kevin the saxophonist takes notes from the composer but also the director refining where the sax comes in and out in sections and importantly the sound in the space. Loving the reverb. There is also a series of soundscapes under the memory sequences to support and locate them and underscore the saxophone music. I’ve used a lot of voice today so need to be careful. Then my other head is making sure all invited guests know what is happening, especially the panel, who will be discussing issues raised in the play afterwards. They include Eithne McNulty (Chair), Siobhan Casey (AgeNI), Robert Atkinson (Service User) and myself and will no doubt be very interesting.

Thursday, 9 May
We OPENED. Feels like a very long time ago when I started writing the play and it’s finally out there. A fantastic audience last night and to be supported by family, friends in the business, the Arts Council, Arts & Business, interview participants, my producer Patricia McBride and those who just took a chance and bought a ticket. Great to hear laughter and complete silence as the character takes the audience on a rollercoaster ride of emotions. Also enjoyed the post show discussion because Baroness May Blood always hits the nail on the head and in the same breath makes you laugh.

A huge thank you to everyone who helped me on the journey and particularly to Patrick J O’Reilly, my director, Conor Mitchell, composer, Kevin Lawless, saxophonist and last but not least Patricia McBride who believed in me and the play. Looking forward to seeing you all in Donegal so get booking.

An Grianán Theatre presents The Experience of Being by Carol Moore, touring the island of Ireland this May and June. For tour locations and dates CLICK HERE

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CAROL MOORE’S AN GRIANÁN TOUR BLOG 1

On reaching 60 in 2016, actor/writer, Carol Moore didn’t see herself reflected in contemporary Irish theatre, nor was she being offered challenging roles for her own age-group.

She felt invisible as an older woman and redundant as an older artist. For 18 months Carol has been writing and developing a one-woman play titled The Experience of Being which, following dates at the Grand Opera House, Belfast next week, An Grianán Theatre is delighted to present across the island of Ireland over the next month, including three performances in Donegal. FULL DATES HERE

The Experience of Being is a funny, absorbing and moving one-woman play about dwindling power, how to challenge it and why ageism makes growing older far harder than it needs to be. FIND OUT MORE HERE

An Grianán is going to bring you a weekly blog from the very charming, talented and witty Carol, beginning with her final week of rehearals.

Monday, 29 April
I’m very excited at the floor cloth designed and painted by Ellen Turley which we will see this week in rehearsals. Can’t say too much but the detail is phenomenal. A long discussion about the use of saxophone and a much greater presence in the play. Kevin Lawless playing a blinder. Conor Mitchell, composer, re-imagining large sections and Patrick J. O’Reilly pushing us all for more in how the sax reacts to the central character and the effect it has on her as the plays progresses. Live music. You can’t beat it

Tuesday, 30 April
So Conor went away yesterday having new musical ideas about the opening music and particular sections where the saxophone impacts with the character. Patrick and I spend the day working slowly through the script to re-visit each section. What is the function of so many memories during the dinner party? How might a person feel having been put off the road on the way to her birthday dinner and now regretting she just didn’t go home? How the alcohol consumption masks what is really going on with Cathy? I love Patrick’s questions and pushing me to justify my choices. Good decisions made today.

Wednesday, 1 May
The director and I are listening in to Conor (composer) and Kevin(saxophonist). They are speaking a different language, a musical language and we haven’t a clue what it means. It’s a fascinating process watching how they shorthand what the musical intention is and then Kevin just plays it. The saxophone is full on in the journey of the play reflecting the lack of power of the character Cathy, as early as primary and secondary school as well as the power of the church and the paramilitaries and with that the sense that Cathy has been fighting this battle for a long time. At 60 she didn’t think she would still be struggling with power being taken away from her, but that is what happens on the very day of her birthday. No wonder she starts on the prosecco on the way to the birthday dinner because she has just been put off the road by a male driver and everything goes downhill from there.

Thursday, 2 May
Playing on the floorcloth creates a really different sense of space, a world of 60 years of Cathy’s entire life to date. We did a run this afternoon and afterwards words like angry, painful, distressed, frustrated, lost, powerless is describing the story arc of the play; not a nice wee woman feeling sorry for herself, drinking tea and watching Coronation Street. This is a woman in crisis and she’s desperate to tell you why.

An Grianán Theatre presents The Experience of Being by Carol Moore, touring the island of Ireland this May and June. For tour locations and dates CLICK HERE

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Casting the Tale: Open auditions for The Winter’s Tale

Open auditions for Shaking the Tale: April 2019

OPEN AUDITIONS
Venue: An Grianán Theatre

Dates: Sat 27 & Sun 28 April
Times: 10am to 6pm

If you would like to take part in our big outdoor production for this year’s Earagail Arts Festival please come along to our open auditions this weekend. There’s no need to pre-register or prepare anything in advance – just come along anytime between 10am to 6pm Saturday or Sunday.

We are looking for actors, musicians, dancers, circus performers, prop makers, etc.

Novice performers are also welcome.

Suitable for ages 18+.

Shaking the Tale is An Grianán Theatre’s co-production with Parrabbola (UK) of Shakespeare’s The Winter’s Tale.

A play, live music, a garden party, a feast and even a ferry crossing for the Inishowen performances! This promises to be a memorable experience for all involved.

The Winter’s Tale will be a large scale, immersive production which will cross the borders, the traditions and the waters of the North West.

Our Letterkenny performances will take place in Ballymacool Town Park (Fri 19 to Sun 21 July) while our Inishowen performances (Tues 23 & Wed 24 July) will take place either side of the Foyle with the show including a ferry ride from Greencastle to Magilligan and back.

The Winter’s Tale tells the story of two kingdoms divided by an ocean, Sicilia and Bohemia; two kings, raised together, but at odds without reason, a wronged queen, a lost princess, prison sentences, tragic deaths, a bear and ocean voyages.

 

Production partners and funders: Shaking the Tale is produced by An Grianán Theatre and Parrabbola as part of Shaking the Walls. Co-funded by the Creative Europe Programmed of the European Union. Additional support comes from Donegal County Council, the Arts Council of Ireland and the Earagail Arts Festival.

Shaking the Tale is part of Shaking the Walls, a project co-funded by the Creative Europe Programme of the European Union. The project is led by Gdański Teatr Szekspirowski (Poland), the other partners are Parrabbola (UK), Cooltour Ostrava (Czech Republic) and Ratatam (Iceland). As well as Creative Europe, our co-funders for Shaking the Tale include the Donegal County Council, Arts Council of Ireland and the Earagail Arts Festival.

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Nasc Network Commission 2020

The Nasc Network is currently offering a production award to a production company or producer interested in collaborating with the network to produce a new or existing piece of theatre with a view to touring to all Nasc venues in 2020.

The chosen production company/producer will receive the following support from the Nasc Network:

• A commissioning fee of €10,000 to part-fund the development/creation of the theatre piece.

• Nasc will act as lead applicant, or network support, on an application under the Arts Council’s touring and dissemination scheme to fund the costs of the production and tour to all Nasc venues.

• The Nasc venues will each offer a guaranteed fee in support of the production run at each venue.

PRODUCTION CRITERIA

• Productions with audience recognition i.e. production title, company, director, cast, and/or playwright to maximise audience potential for each show.

• Productions which are innovative, captivating and entertaining to maximise the potential for audience development.

• High quality, professional production values so that the investment by the Arts Council, stakeholders and the venue is apparent.

NASC TOURS TO DATE

The Year of the Hiker – Druid Theatre Company (2006) | Improbable Frequency – Rough Magic Theatre Company (2007) | The Taming Of the Shrew – Rough Magic Theatre Company (2008) | The Cripple of Inishmaan – Druid Theatre Company (2008) | The Gigli Concert – Druid Theatre Company (2009) | Johnny Patterson, The Singing Clown – Barabbas (2010) | John O’Connor – (2010) | Out of Time – Colin Dunne (2011) | Druid Murphy Project: Whistle In The Dark and Conversations on a Home Coming (2013) | The Bridge Below the Town – Livin’ Dred Theatre Co (2014) | The Dead (Performance Corporation 2017) | The Wolf and Peter – CoisCéim (2017) | Anam – Siamsa Tíre (Autumn 2017) | Haughey|Gregory – Fishamble (2019) | ‘Twas the Night Before Christmas – Branar (2019)

Any interested parties should submit a proposal to the Nasc Network by Friday 20 April 2019.

(By email to louise@limetreetheatre.ie)

Click here to view the full Nasc Network Commission 2020 document as a PDF.

NASC_Network_Members

 

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Féile Uladh Timetable

Féile Uladh – An Cumann Scoildrámaíochta 2019

Amharclann An Ghrianáin, Leitir Ceanainn

Déardaoin 21ú & Dé hAoine 22ú Márta

Moltóir:  Pluincéad Ó Fearraigh

Déardaoin 21ú Márta:

Seisiún 1   Comórtas

10.00 ‘Plúirín Sneachta’ 3

Scoil Cholmcille, Maigh Rua

10.40 ‘Winnie Wonka’ 6

Scoil Naomh Dúigh, Anagaire

11.10 *Ní mar a chítear a bítear* 9 *

Gaelscoil Eadáin Mhóir, Doire Cholmcille

11.40 *Blitz Bhéal Feirste* 9 *
Gaelscoil na bhFál, Beal Feirste

12.10 ‘Na Criáin Chráite’ 18

Gaelscoil Ultáin, Muineachán

12.40 ‘Glórtha ón Ghorta’ 6

Scoil Phádraig Naofa, Crois Mhic Lionnáin

1.10 ‘Grá an tSamhraidh’ 15
Bunscoil Cholmcille, An Charraig Mhór

1.40 ‘Turas Chailín Óig’ 6
Bunscoil Bheanna Boirche, Caisleán Uidhilín

Seisiún 2

3.00 *Stad den Flasáil*   4 *

Gaelscoil na gCeithre Máistir

3.30 *Lán Tí* 6 *

Gaelscoil na gCeithre Máistir

4.00 ‘An Corp’ 6

Scoil Mhuire, Na Doirí Beaga

4.30 *An Teachín Crainn* 2 *

Céim Aniar

Déardaoin 21ú Márta:

Seisiún 3   Comórtas

6.00 ‘An Cearrbhach Mac Cába’ 10

Pobalscoil Ghaoth Dobhair

6.30 *Cé hé mo Valintín?* 17 *

Club Óige na Crannóige

7.00 ‘Tadhg Soineanta’ 12

Pobalscoil Ghaoth Dobhair

7.40 *Faigh Grimm Ar Mo Bhrionglóid* 17 *

Club Óige na Crannóige

_______________________________________

Dé hAoine, 22ú Márta

Seisiún 4

10.00 ‘An tOráiste’ 2

Scoil Bhríde, Leitir Mhic a Bhaird

10.40 *Laochra Scoil Bhríde*   2 *

Scoil Bhríde, Mín an Chladaigh

11.10 ‘Draíodóir Oz’ 6

Gaelscoil an Lonnáin, Béal Feirste

11.40 *An Seancheann Críonna* 3 *

Scoil Naisiúnta Iorball Sionnaigh, Muineachán

12.10 ‘Oíche na Gaoithe Móire’ 9

Gaelscoil na gCrann, An Ómaigh

12.40 ‘Cat sa Hata’ 15

Gaelscoil Ultáin, Muineachán

1.10 ‘Píobaire Breac’ 15

Gaelscoil Aodha Rua, Dún Geanainn

1.40 ‘Cinnín Oír’ 18

Scoil Chnoc na Naomh

2.10            ‘Áille agus Gránna’ 15              

Bunscoil Naomh Proinsias, An Lorgain

Dé hAoine, 22ú Márta

Seisiún 5   Comórtas

3.30 ‘Alladán’ 2
Scoil Mhuire, Caiseal

4.00 ‘Áilleacht agus Brúid’ 6

Scoil Chnoc na Naomh

4.40 ‘Misneach Pheatsaí’ 5

Scoil Adhamhnáin, An Luinnigh.

5.20 ‘Péire Speacláidí’ 12

Pobalscoil Chloich Cheann Fhaola

5.50 ‘Na Fianna & An tOchtar Fear Maith’ 6

Scoil Adhamhnáin, An Luinnigh.

6.30 Moltóireacht, Ainmniúcháin agus Bronnadh na nDuaiseanna.

*Nua-dhráma*

__________________________

Féile Náisiúnta

An Muileann gCearr

3ú – 10ú Aibreán

Moltóir: Neasa Ní Laoire

__________________________

 

 

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Manny Man Does a Trivia Tour of Ireland!

As we travel round the island of Ireland here’s some historical trivia for each of the locations we’re touring to, courtesy of Manny Man of course!

An Grianán Theatre, Fri 9 February 2019Alley Theatre, Strabane, Sat 10 February 2019Watergate Theatre, Kilkenny, Tues 12 FebRiverside Theatre, Coleraine, Wed 13 FebruaryBelltable, Limerick, Sat 16 FebMullingar Arts Centre, Thu 28 Feb & Sat 1 MarchAmharclann Gaoth Dobhair, Sat 2 MarchBackstage Theatre, Longford, Tue 5 MarchPlayhouse, Derry/Londonderry, Thu 7 MarchMarket Place Theatre, Armagh, Fri 8 MarchBalor Arts Centre, Ballybofey, Sat 9 MarchDunamaise Arts Centre, Portlaoise, Tues 12 & Wed 13 March

Wexford Arts Centre, Sat 16 Marchglór, Ennis, Sun 17 March

 

See the tour dates here:

An Grianán on tour – Manny Man hits the road.

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Shaking the Tale… where did it come from?

It’s 2017 and I’m sitting with Philip Parr, drinking coffee in the March sunshine at the International Community Arts Festival (ICAF) in Rotterdam. We’re talking about the ICAF experience and also flying kites — floating ideas about working on something together. We’d met back in July 2015 at a symposium I was curating, entitled Beyond the Pale* – Meet the Makers. The weekend featured a number of theatre makers who create work outside of the usual urban supports. The conversations had continued after that and Philip and I had some vague ideas, but nothing concrete. As the Dutch coffee leaves dark rings in the cups, we hatch a plan, to make an off-site, community production of The Winter’s Tale… we stare at smartphone screens of Google Maps, looking a potential locations and I show Philip Greencastle and the tip of Inishowen in County Donegal, and the sands of Magilligan Point in County Derry and that is the beginning of a fascinating journey.

Shaking the Walls

It’s December 2017 and Philip calls me, saying, ‘I’m in the middle of a Creative Europe funding application, it might suit the Winter’s Tale. Would you and An Grianán like to come on board?’ All through Christmas we email each other and email Gdański Teatr Szekspirowski. There are budgets and forms, conversations and misunderstandings — we all speak English for ease of communication, but the colloquialisms and the curious habits sometimes need further explanation. There are more project descriptions and more budgets, but finally we agree and the application is sent.

It’s July 2018, and I get another call from Philip, ‘We got it!’ he says. “Got what?’ I reply. And so Shaking the Tale is born, and we can’t wait to tell the world of our plans. But we are also filled with apprehension and not a little concern… What did we say we’d do? That feeling lasts a few days while we search back and look through the folders of documents, long forgotten, hiding on out computers.

And go through those walls we will, whether they be political, sectarian, racist or simply the walls we build in our own lives.

It’s November 2018 and we’re sitting in the Green Room of Gdański Teatr Szekspirowski, chatting with the partners at our first meeting. Accents and faces new — ideas and conversations we thought were once simply a flying kite over Rotterdam, are now real. Shaking the Walls… diagnosing the walls that divide communities, and how through theatre we might break them down. The words of James McDyer, the priest from West Donegal come to mind, ‘If you come to brick wall, you either get over it or go through it.’ And go through those walls we will, whether they be political, sectarian, racist or simply the walls we build in our own lives.

By Guy Le Jeune

 

Production partners and funders: Shaking the Tale is produced by An Grianán Theatre and Parrabbola as part of Shaking the Walls. Co-funded by the Creative Europe Programmed of the European Union. Additional support comes from Donegal County Council, the Arts Council of Ireland and the Earagail Arts Festival.

Shaking the Tale is part of Shaking the Walls, a project co-funded by the Creative Europe Programme of the European Union. The project is led by Gdański Teatr Szekspirowski (Poland), the other partners are Parrabbola (UK), Cooltour Ostrava (Czech Republic) and Ratatam (Iceland). As well as Creative Europe, our co-funders for Shaking the Tale include the Donegal County Council, Arts Council of Ireland and the Earagail Arts Festival.

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First Trad Week show sells out

Letterkenny Trad Week 2019

THIS year’s fourth Letterkenny Trad Week (January 19-27), brought to you in association with the Regional Cultural Centre, is quickly gaining momentum with the first show selling out.

Such was the demand for the show Zoe Conway + John McIntyre and Seamus McGuire + John Lee with support from Coirm that the show sold out very soon after the holidays.

There was particular local interest in this show thanks to the group Coirm which is made up by talented young musicians from the Ceol na Coille Traditional School of Music. If you missed out on this show, fear not, as Coirm will be performing a second time during Trad Week when they open for legendary Donegal trad group Altan at An Grianán Theatre on Sunday, January, 27. Tickets for this show are also selling fast, so book soon!

In the meantime, there is a host of other great shows, also selling well, taking place at the Regional Cultural Centre during the fourth annual Trad Week. One of Trad Week’s hottest tips is the opening show of Music Network Presents – Muireann Nic Amhlaoibh, Siobhan Miller, Damien Mullane & Anna Massie on Saturday, January 19.

While these artists may not be household names…yet, they are some of the brightest stars on their selected instruments and vocal genres who have performed with some of the biggest names in music and this is a chance to see them all together on one stage.

Music Network Presents – Muireann Nic Amhlaoibh, Siobhan Miller, Damien Mullane & Anna Massie - Trad Week 2019.

The show features the ethereal voice of award-winning Scottish songstress Siobhan Miller (vocals) and the honeyed tones of Muireann Nic Amhlaoibh (vocals/flute), recent winner of RTÉ Folk Awards ‘Best Traditional Folk Track of the Year’. Winner of the 2018 BBC Radio 2 Folk Award for Best Traditional Track, Miller was recently lauded as “the finest young interpreter of Scots traditional song”, while highly-acclaimed singer and flautist Nic Amhlaoibh is best known for her performances as a solo artist and with Irish super group Danú, and her work as a TV presenter.

Gifted accordionist Damien Mullane (accordion/melodeon) brings his unique creative talents to the collaboration. Winner of numerous All-Ireland titles on both accordion and melodeon, Mullane has played with stars from a wide range of genres including Ronnie Wood, James Taylor and Sting. Completing the line-up, fleet-fingered guitarist and banjo player Anna Massie (guitar/banjo/mandolin) is renowned for her work with Blazin’ Fiddles and such luminaries as Bella Hardy, Julie Fowlis, Kate Rusby, Capercaillie and Eddi Reader.

THE PRIDE OF MANCHESTER

ON Thursday, January 24, also in the Regional Cultural Centre, is another chance to see two artists who between them they have been members of Toss the Feathers, Stockton’s Wing, Capercaillie, Flook and Lunasa and have performed with Mark Knopfler, Eddi Reader, Sharon Shannon and Kate Rusby to name just a few.

Letterkenny Trad Week – Mike McGoldrick & Dezi Donnelly

Dezi ‘Fiddle on Fire’ Donnelly is a Manchester-based fiddle player and one of the founder members of the legendary Celtic Rock Band ‘Toss the Feathers’ often seen collaborating with the likes of Sharon Shannon and BBC instrumentalist of the Year, Mike McGoldrick.

Michael McGoldrick has been a member of several influential bands. In 1994 he was awarded the BBC Young Tradition Award, and in 2001 he was given the Instrumentalist of the Year award at the BBC Radio 2 Folk Awards.

All concerts begin at 8pm. For bookings or further information go to www.angrianan.com or call An Grianán Theatre Box Office on Tel +353 (0) 7491 20777.

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Coirm busy in rehearsals for Altan gig

A GROUP of young Irish traditional musicians is busy rehearsing for its fourth commission by an internationally-acclaimed musician and composer.

COIRM

Coirm is a group which was was set up by Letterkenny-based Ceol na Coille School of Irish Traditional Music as a platform for young musicians to perform nationally and internationally.

To-date some of its members have performed throughout Ireland, UK, Europe and also the USA with sister school, North Dallas and Austin school of Traditional Music.

The group has commissioned renowned musicians to write new music, raising the funding for the projects themselves, with additional support by Donegal County Council’s Arts Office.

Dr Seamus McGuire, Zoe Conway and Mairéad Ní Mhaonaigh were the first artists to be commissioned and the fourth in as many years has been composed by Martin Tourish.

A current member of Altan, the Ballybofey native is a renowned musician in his own right and rehearsals are now underway with the group.

Paul Harrigan of Ceol na Coille, and director of Coirm, said there is great excitement surrounding the new commission being composed by a local musician held in such high regard in national and international music circles.

“We began the process a few years ago with our first commission from Seamus McGuire who is an internationally known musician living in Donegal.

“This was a great first project for the then newly-formed group and we were absolutely delighted that Seamus came on board in writing a piece of music for the group and was so encouraging for the young musicians and so generous with his time.

“It’s a fantastic opportunity for these fine young musicians to travel, experience the performance and social side of our traditional arts and build knowledge and friendships that will other qualities through performance and sharing experiences.”

Past pupils and performers of Ceol na Coille and Coirm have continued to study music in Maynooth, University of Cork, Galway, University of Limerick at the World Center of Irish Traditional Music & Dance and University of Ulster.

Many of these have reached high achievements at London College of Music and SCT Examinations and at All Ireland Chomhaltas Fleadh competitions.

The new commission will be performed by Coirm officially during Letterkenny Trad Week where the group will be supporting Altan on the closing night at An Grianán Theatre, Sunday, January 27.

The group will also be performing Mairéad Ni Mhaonaigh’s Failte an Earraigh, Coirm’s commission from 2017 that evening, as well as supporting Dr Seamus McGuire, John Lee and Zoe Conway with John McIntyre earlier in the week on Tuesday, January 22, which is now sold out, during the week-long festivities.

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An Grianán on tour – Manny Man hits the road.

An Grianan Theatre presents John D Ruddy & Louise Conaghan in Manny Man Does the History of Ireland.

We had such a fun time making Manny Man Does the History of Ireland for last year’s Earagail Arts Festival that we just couldn’t keep it to ourselves! So we’re delighted to announce that we’ve reassembled the team and we’re taking Manny Man on the road!

We’ll be touring the show to 16 venues across the island of Ireland, north and south of the border, throughout February and March 2019. As well as performances here in An Grianán on 5, 6 & 8 February we’ll also be visiting Strabane, Kilkenny, Coleraine, Limerick, Mullingar, Gweedore, Longford, Derry, Armagh, Ballybofey, Portlaoise, Newbridge, Wexford and Ennis.

Tour Dates

Tuesday 5 & Wed 6 February at 11am
Fri 8 February at 8pm
An Grianán Theatre
Letterkenny
0749120777
www.angrianan.com

Sat 9 February at 8pm
Alley Theatre
Strabane
028 7138 4444
www.alley-theatre.com

Tues 12 February at 11am
Watergate Theatre
Kilkenny
056 776 1674
watergatetheatre.com

Wed 13 February at 8pm
Riverside Theatre
Coleraine
028 7012 3123
www.riversidetheatre.org.uk

Saturday 16 February at 2.30pm
Belltable
Limerick
061 953 400
www.limetreetheatre.ie

Thur 28 February at 8pm and Fri 1 March at 10am
Mullingar Arts Centre
044 934 7777
www.mullingarartscentre.ie

Sat 2 March at 8pm
Amharclann Ghaoth Dobhair
074 953 2687
www.amharclann.com

Tues 5 March at 11am
Backstage Theatre
Longford
043 3347888
www.backstage.ie

Thur 7 March at 8pm
The Playhouse
Derry/Londonderry
028 7126 8027
www.derryplayhouse.co.uk

Fri 8 March at 7pm
The Market Place Theatre
Armagh
028 3752 1821
www.visitarmagh.com/marketplacetheatre

Sat 9 March at 8pm
Balor Arts Centre
Ballybofey
074 913 1840
www.balorartscentre.com

Tues 12 March at 7pm & Wed 13 March at 10am
Dunamaise Arts Centre
Portlaoise
057 866 3355
www.dunamaise.ie

Fri 15 March at 10am, 12pm, 7pm
Riverbank Arts Centre, Newbridge
045 448 327
www.riverbank.ie

Sat 16 March at 3pm
Wexford Arts Centre
053 912 3764
www.wexfordartscentre.ie

Sun 17 March at 12.30pm
glór
Ennis
065 684 3103
glor.ie

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