Nicola

Want to join our youth theatre?

An Grianan Youth Theatre's The Delphi Dilemma. April 2017. Photo by Paul McGuckin. All rights reserved.

We’ll be holding a free Taster workshop on Wed 28 August to recruit prospective members for our senior youth theatre. This is a great way to try out youth theatre and see if it’s for you. The workshop is open to young people ages 14 to 21.

The bad news! Unfortunately as we only have a limited number of places available in our youth theatre we cannot guaranteed that everyone who attends the Taster workshop will be able to join our youth theatre. Unsuccessful candidates will be added to our waiting list in case of any cancellations.

What does our youth theatre do?

We run weekly classes for children and young people ages 7 to 21. Our senior classes are suitable for ages 14 to 21 and are held on Wednesday evenings during term time.

We believe strongly in learning through creative play and our classes are made up of an inventive mix of drama games and acting exercises.

You’ll be encouraged to improvise and creatively engage with the material provided by our tutors, sometimes from prepared scripts and sometimes from work devised entirely by the students.

Being a member of a youth theare allows opportunities for both creative and personal development through acting, drama and other performance techniques. Students will learn more about their own voices and movements as well as observing others through play and theatre games. Drama can also help to build confidence and to develop communication and co-operation skills.

Being a member of An Grianán Youth Theatre offers you the added bonus of learning theatre skills and stage craft in a professional theatre environment with access to highly trained facilitators, technical crew and equipment.

With an emphasis on performance, you’ll be offered an insight into many aspects of professional theatre production. Our youth theatre is also an ideal stepping stone for those of you wishing to go on to study acting, theatre and performing arts at third level.

An Grianan Youth Theatre: rehearsals for Blackadder Goes Forth, July 2017.

Our recent projects include Blackadder Goes Forth, 2017, The Wolves of Willoughby Chase, 2018, The Selkie, 2018, Alice’s Adventures in Wonderland (site specific performance at Glenveagh National Park), 2019. Plans for this year include working with a guest tutor from Fidget Feet Theatre for their upcoming production Bingo Wings.

We are an affiliate member of Youth Theatre Ireland, the national organisation for youth theatres in Ireland, which means our members get the opportunity to take part in YTI events like the National Festival of Youth Theatres, the National Youth Theatre and the Young Critics programme.

Our taster workshop will be on Wed 28 Aug at 4.30pm and will be 90 minutes long. You can reserve a place by calling the box office on 074 912 0777, or leave a message on our facebook page.

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The Winter’s Tale cast

Sicilia

The Royal Family

Leontes, King of Sicilia – David Monteith
Hermione, his Queen, daughter of the Emperor of Russia – Katie Prinsloo
Mamillius, their son, a Prince – Darragh Dunne

The Court

Camillo, chief of staff to Leontes and his closest friend and adviser – Sean Donegan
Solius, the most senior of the lords and First Minister to the King – Aiden O’Shea
Antigonus, a noble lord, member of the inner cabinet and husband to Paulina – Cathal Stephens
Adamus, a young nobleman, and keeper of the prison – Anthony Redmond
Paulina, a noble lady, friend to Leontes and Hermione and wife to Antigonus – Maggie Hannon
Cleomenes, a noble lady, member of the court and the King’s ambassador – Razan Elnaim
Dion, a noble lady member of the court and the King’s ambassador – Saja Elnaim

Part of our cast of The Winter’s Tale, left to right: Sean Donegan, Tom Nelis, David Monteith, Siobhan Coyle, Anthony Redmond and director Philip Parr.

In the Palace

Emilia, principal lady in waiting to Hermione – Marie Kelly
Iras, a singer, and lady in waiting – Christiona McGettigan
Samina, nurse to the Prince Mamillius, and a valued member of the Royal household – Laura Dunne

Bohemia

The Royal Family

Polixenes, King of Bohemia, childhood friend of Leontes – Tom Nelis
Florizel, his son, a prince – Jasper Lee Kardos
Narcisa, a noble woman in the Bohemian court and the Kings trusted messenger – Louise McCrossan
Theodora, a noble woman in the Bohemian court, sent as emissary to Sicilia – Triona Burke
Archidamus, captain of the King’s private ship, and a respected member of his entourage – Fionn Robinson

In the country

The Shepherd, an unlearned old man, farming and living simply in a remote rural community – Eoghan Mac Giolla Bhrigdhe
The Clown, his son, an honest but simple man full of hard work and loyalty – Oscar Murtagh
Perdita, a foundling, taken in by the Shepherd and brought up as his daughter and The Clown’s sister – Laramie Carey
Tereza, a country lass who sings very sweetly and prefers making music to making hay – Maryann McDonnell
Autolycus, a rogue – Patrick Quinn

In both countries

The Guides, who lead us through the story, and police Sicilia and Bohemia – Siobhan Coyle, Ciara Cunnane, Nicky Peeters, Guy Le Jeune

Musicians

Matthew Melia
Siobhan Shiels
Donall McGinley
Stephen Doohan
Guy Le Jeune
Fionn Robinson

Performance Dates

Ballymacool Park, Letterkenny
Fri 19 & Sat 20 July at 6pm
€15/€12

Greencastle/Magilligan
Tues 23 & Wed 24 July at 12.30pm
€20/€16*
*includes ferry crossing.

Book now!

Production partners and funders: Shaking the Tale is produced by An Grianán Theatre and Parrabbola as part of Shaking the Walls. Co-funded by the Creative Europe Programmed of the European Union. Additional support comes from Donegal County Council, the Arts Council of Ireland and the Earagail Arts Festival.

Shaking the Tale is part of Shaking the Walls, a project co-funded by the Creative Europe Programme of the European Union. The project is led by Gdański Teatr Szekspirowski (Poland), the other partners are Parrabbola (UK), Cooltour Ostrava (Czech Republic) and Ratatam (Iceland). As well as Creative Europe, our co-funders for Shaking the Tale include the Donegal County Council, Arts Council of Ireland and the Earagail Arts Festival.

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Take a journey with us this July.

 

Bohemia and Sicilia are two nations separated by an ocean. You are invited on a journey to both Kingdoms to see how the story unfolds. Come and join Kings, Queens, Princes, Shepherds, Rogues, Seafarers and All Sorts. Along the way there shall be feasting, merriment, a sea crossing, a brass band, dancing, music, song, disguises and surprises, intrigue and deception, as we present to you an outdoor production of William Shakespeare’s The Winter’s Tale. A Cautionary Tale for our times.

Ballymacool House forms the backdrop for part of the performance in Letterkenny.

The first journeys shall take place in Ballymacool Park, Letterkenny where the beautiful gardens shall be the formal palace of Leontes, King of Sicilia, set in the shadow of Ballymacool House.  The next journeys start in Greencastle, in Inishowen, in which the participants and the audience will travel across the sea to Magilligan and back again!

The scenic town of Greencastle in Inishowen.

Depending on location refreshments may include Irish Stew, chowder, sandwiches and fruit punch, and of course vegetarians will be suitably catered for. Local currency will be provided for this fare, but watch out for hawkers and snatch-purses. We would also remind you that wild animals are at large in Bohemia.

Catch the ferry to Magilligan, our Bohemia for The Winter’s Tale.

As the show has several settings it’s expected that you will be walking about 2 kilometres on pavements and grass, and we recommend wearing appropriate clothing and footwear for the weather and terrain, whatever that may be. It’s Donegal in July so we recommend sunblock and light rain jackets!

Performance Dates

Ballymacool Park, Letterkenny
Fri 19 & Sat 20 July at 6pm
€15/€12

Greencastle/Magilligan
Tues 23 & Wed 24 July at 12.30pm
€20/€16*
*includes ferry crossing.

Book now!

Production partners and funders: Shaking the Tale is produced by An Grianán Theatre and Parrabbola as part of Shaking the Walls. Co-funded by the Creative Europe Programmed of the European Union. Additional support comes from Donegal County Council, the Arts Council of Ireland and the Earagail Arts Festival.

Shaking the Tale is part of Shaking the Walls, a project co-funded by the Creative Europe Programme of the European Union. The project is led by Gdański Teatr Szekspirowski (Poland), the other partners are Parrabbola (UK), Cooltour Ostrava (Czech Republic) and Ratatam (Iceland). As well as Creative Europe, our co-funders for Shaking the Tale include the Donegal County Council, Arts Council of Ireland and the Earagail Arts Festival.

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Music for Shaking the Tale

Live music is a big feature of our open air production of The Winter’s Tale.

Here’s a little snippet of the band in rehearsals, playing an original composition by Guy Le Jeune.

To book tickets or to find out more about the show visit this link.

Performance dates:

Fri 19 & Sat 20 July at 6pm
Ballymacool Park, Letterkenny

Tues 23 and Wed 24 July at 12.30pm
Greencastle/Magilligan

Production partners and funders: Shaking the Tale is produced by An Grianán Theatre and Parrabbola as part of Shaking the Walls. Co-funded by the Creative Europe Programmed of the European Union. Additional support comes from Donegal County Council, the Arts Council of Ireland and the Earagail Arts Festival.

Shaking the Tale is part of Shaking the Walls, a project co-funded by the Creative Europe Programme of the European Union. The project is led by Gdański Teatr Szekspirowski (Poland), the other partners are Parrabbola (UK), Cooltour Ostrava (Czech Republic) and Ratatam (Iceland). As well as Creative Europe, our co-funders for Shaking the Tale include the Donegal County Council, Arts Council of Ireland and the Earagail Arts Festival.

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Casting the Tale: Open auditions for The Winter’s Tale

Open auditions for Shaking the Tale: April 2019

OPEN AUDITIONS
Venue: An Grianán Theatre

Dates: Sat 27 & Sun 28 April
Times: 10am to 6pm

If you would like to take part in our big outdoor production for this year’s Earagail Arts Festival please come along to our open auditions this weekend. There’s no need to pre-register or prepare anything in advance – just come along anytime between 10am to 6pm Saturday or Sunday.

We are looking for actors, musicians, dancers, circus performers, prop makers, etc.

Novice performers are also welcome.

Suitable for ages 18+.

Shaking the Tale is An Grianán Theatre’s co-production with Parrabbola (UK) of Shakespeare’s The Winter’s Tale.

A play, live music, a garden party, a feast and even a ferry crossing for the Inishowen performances! This promises to be a memorable experience for all involved.

The Winter’s Tale will be a large scale, immersive production which will cross the borders, the traditions and the waters of the North West.

Our Letterkenny performances will take place in Ballymacool Town Park (Fri 19 to Sun 21 July) while our Inishowen performances (Tues 23 & Wed 24 July) will take place either side of the Foyle with the show including a ferry ride from Greencastle to Magilligan and back.

The Winter’s Tale tells the story of two kingdoms divided by an ocean, Sicilia and Bohemia; two kings, raised together, but at odds without reason, a wronged queen, a lost princess, prison sentences, tragic deaths, a bear and ocean voyages.

 

Production partners and funders: Shaking the Tale is produced by An Grianán Theatre and Parrabbola as part of Shaking the Walls. Co-funded by the Creative Europe Programmed of the European Union. Additional support comes from Donegal County Council, the Arts Council of Ireland and the Earagail Arts Festival.

Shaking the Tale is part of Shaking the Walls, a project co-funded by the Creative Europe Programme of the European Union. The project is led by Gdański Teatr Szekspirowski (Poland), the other partners are Parrabbola (UK), Cooltour Ostrava (Czech Republic) and Ratatam (Iceland). As well as Creative Europe, our co-funders for Shaking the Tale include the Donegal County Council, Arts Council of Ireland and the Earagail Arts Festival.

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Nasc Network Commission 2020

The Nasc Network is currently offering a production award to a production company or producer interested in collaborating with the network to produce a new or existing piece of theatre with a view to touring to all Nasc venues in 2020.

The chosen production company/producer will receive the following support from the Nasc Network:

• A commissioning fee of €10,000 to part-fund the development/creation of the theatre piece.

• Nasc will act as lead applicant, or network support, on an application under the Arts Council’s touring and dissemination scheme to fund the costs of the production and tour to all Nasc venues.

• The Nasc venues will each offer a guaranteed fee in support of the production run at each venue.

PRODUCTION CRITERIA

• Productions with audience recognition i.e. production title, company, director, cast, and/or playwright to maximise audience potential for each show.

• Productions which are innovative, captivating and entertaining to maximise the potential for audience development.

• High quality, professional production values so that the investment by the Arts Council, stakeholders and the venue is apparent.

NASC TOURS TO DATE

The Year of the Hiker – Druid Theatre Company (2006) | Improbable Frequency – Rough Magic Theatre Company (2007) | The Taming Of the Shrew – Rough Magic Theatre Company (2008) | The Cripple of Inishmaan – Druid Theatre Company (2008) | The Gigli Concert – Druid Theatre Company (2009) | Johnny Patterson, The Singing Clown – Barabbas (2010) | John O’Connor – (2010) | Out of Time – Colin Dunne (2011) | Druid Murphy Project: Whistle In The Dark and Conversations on a Home Coming (2013) | The Bridge Below the Town – Livin’ Dred Theatre Co (2014) | The Dead (Performance Corporation 2017) | The Wolf and Peter – CoisCéim (2017) | Anam – Siamsa Tíre (Autumn 2017) | Haughey|Gregory – Fishamble (2019) | ‘Twas the Night Before Christmas – Branar (2019)

Any interested parties should submit a proposal to the Nasc Network by Friday 20 April 2019.

(By email to louise@limetreetheatre.ie)

Click here to view the full Nasc Network Commission 2020 document as a PDF.

NASC_Network_Members

 

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The Experience of Being Irish Tour

An Grianán Theatre presents Carol Moore's The Experience of Being

Touring Ireland this May

Written and performed by Carol Moore

An empowering story of a woman who decides to take back control.

On her 60th birthday Cathy should be celebrating but it rapidly goes downhill.

“In the shop they didn’t see me.
They saw a warm cardigan and sensible shoes woman. An insignificant woman.”

The Experience of Being is a funny, absorbing and moving one-woman play about dwindling power, how to challenge it and why ageism makes growing older far harder than it needs to be.

Written and performed by Carol Moore
Directed by Patrick J. O’Reilly
Development choreography by Oona Doherty
Music score by Conor Mitchell
Saxophone – Kevin Lawless
Produced by An Grianán Theatre
Duration: 60 minutes*

Post show Q&A available at some venues.

Tour Dates 2019

Droichead Arts Centre, Drogheda
Tuesday 14 May at 2pm
041 983 3946
www.droichead.com

Abbey Arts Centre, Ballyshannon
Thursday 16 May at 8pm
071 985 1375
www.abbeycentre.ie

An Grianán Theatre, Letterkenny
Friday 17 May at 8pm
074 912 0777
www.angrianan.com

Holy Trinity Parish Hall, Dunfanaghy
Saturday 18 May at 8pm
074 912 0777
www.angrianan.com

Hawk’s Well Theatre, Sligo
Wednesday 22 May at 1pm
071 916 1518
www.hawkswell.com

The Glens Centre, Manorhamilton
Saturday 25 May at 8pm
071 985 5833
www.theglenscentre.com

Mullingar Arts Centre, Mullingar
Wednesday 29 May at 8pm
044 934 7777
www.mullingarartscentre.ie

Mermaid Arts Centre, Wicklow
Thursday 30 May at 8pm
01 272 4030
www.mermaidartscentre.ie

An Táin Arts Centre, Dundalk
Friday 31 May at 8pm
042 933 2332
www.antain.ie

The Playhouse Theatre, Derry/Londonderry
Saturday 1 June at 8pm
028 7126 8027
www.derryplayhouse.co.uk

More about the show

On reaching 60 in 2016, actor/writer, Carol Moore didn’t see herself reflected in contemporary Irish theatre, nor was she being offered challenging roles for her own age-group. She felt invisible as an older woman and redundant as an older artist. For 18 months Carol has been writing and developing a one-woman play titled “The Experience of Being”.

The Experience of Being:

The play straddles two worlds. One is memory where conflict, religion and power from many sources limited the choices of girls and young women growing up in Belfast, while in the present Carol is holding up a mirror up to society’s obsession with youthfulness and where power can so easily be stripped from older citizens. The play examines power and gender stereotyping, age myths and the challenges of ageing facing us all.

It is an original, funny and absorbing interdisciplinary production which uses text/physicality/music to tell a powerful story that connects and resonates with a 50+ age-group but also engages with audiences across all age-groups.

Supporting Carol is a critically acclaimed creative team. Director, Patrick J. O’Reilly, is Artistic Director of Tinderbox Theatre Company, composer Conor Mitchell is Artistic Director of music/theatre company, Belfast Ensemble, choreographer, Oona Doherty, is an internationally acclaimed dancer/choreographer and saxophonist while Kevin Lawless is a highly skilled Irish musician.

It has been produced by An Grianán Theatre, Letterkenny to to tour nationally during May 2019. A showcase of the production was performed at Prime Cut’s theatre symposium in January at the Mac Theatre, Belfast.

About Carol Moore

Carol Moore, writer and performer of The Experience of Being

Carol Moore has maintained a freelance career across four decades in acting, theatre directing, film directing and drama facilitation.

Carol was co-founder/co-Artistic Director of Charabanc Theatre Company 1983 –’95, their adoption of research and oral interviewing, taking people’s life-experiences and transforming those into theatrical experiences, then delivering it back in non-traditional theatre venues was ground-breaking in reaching new audiences. Charabanc brought Northern Ireland to the attention of international academics and gained both a national/international reputation.

Carol’s acting career includes work with many leading Northern Irish companies including Charabanc, the Lyric, Tinderbox, Brassneck and Kabosh as well as international touring to North America, the former Soviet Union, Germany, South Africa and Rwanda.

Carol has directed a number of plays including at the Lyric Theatre in the early 1990’s and was one of a number of directors on Convictions (Tinderbox) which won ‘Best Production’ at the Irish Times Awards, 2000.

As a writer her work includes a book about Charabanc Theatre company, a monologue about the first Irish women trade unionist Mary Galway, Shrieking Sisters with Maggie Cronin and one-woman play The Experience of Being (previously titled Dangerous Female).

As a filmmaker she won ‘Best First Time Director’ at Celtic Film Festival,1997, for Gort na gCnámh, History Unfinished, was Northern Ireland regional winner of BAFTA 60 sec film competition (2007) and feature film Pumpgirl (2008). She received a NESTA fellowship (2003 –

2005) making a series of documentary films around cultural diversity, which screened at International festivals. She received a Best Actress nominaton in Reefer and the Model at the European film Awards, 1989.

Carol was a Creative Consultant for arts/heritage organisation Red Lead Arts (2003/6) curating Belfast as it Used to Be and directingThe Iceberg and The Liverpool Boat.

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Manny Man Does a Trivia Tour of Ireland!

As we travel round the island of Ireland here’s some historical trivia for each of the locations we’re touring to, courtesy of Manny Man of course!

An Grianán Theatre, Fri 9 February 2019Alley Theatre, Strabane, Sat 10 February 2019Watergate Theatre, Kilkenny, Tues 12 FebRiverside Theatre, Coleraine, Wed 13 FebruaryBelltable, Limerick, Sat 16 FebMullingar Arts Centre, Thu 28 Feb & Sat 1 MarchAmharclann Gaoth Dobhair, Sat 2 MarchBackstage Theatre, Longford, Tue 5 MarchPlayhouse, Derry/Londonderry, Thu 7 MarchMarket Place Theatre, Armagh, Fri 8 MarchBalor Arts Centre, Ballybofey, Sat 9 MarchDunamaise Arts Centre, Portlaoise, Tues 12 & Wed 13 March

Wexford Arts Centre, Sat 16 Marchglór, Ennis, Sun 17 March

 

See the tour dates here:

An Grianán on tour – Manny Man hits the road.

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The story behind Haughey | Gregory by Colin Murphy

Haughey | Gregory, which is at An Grianán on Tues 7 May, is set in 1982 during a particularly turbulent time in Irish politics. It follows the story of Tony Gregory, a young man who lands a surprise seat in the Dáil and finds himself holding the balance of power. Here’s the play’s writer Colin Murphy on the history behind the play:

In the early 1980s, there were three general elections within 18 months in Ireland. The country was in pieces: the economy ruined, most of the young talent emigrating, modern infrastructure barely existent, the North at war. Politics was dominated by Charles Haughey, leading a deeply-divided Fianna Fáil, and his nemesis, Garret FitzGerald, leading Fine Gael. Dublin’s inner city was almost destroyed by unemployment, heroin and urban planning, and entirely forgotten by the rest of Irish society and ignored by politics and the media. Fighting against this, community activists were struggling to assert another vision of society and politics.

At their head was Tony Gregory, a young teacher turned city councillor, born in Ballybough, whose father had worked in the Docks. In the second of those three elections, in February 1982, Tony took a surprise Dáil seat – and suddenly found himself holding the balance of power.

He was courted by both FitzGerald and Haughey. FitzGerald was a liberal, a man of modest disposition, and committed to a policy known as ‘the Just Society’; Gregory’s team liked his politics. And they disliked Haughey’s republicanism (Haughey had lost office a decade earlier for his involvement in a notorious scheme to illegally run guns to the IRA) and the whiff of corruption and ostentation that he courted.

But Haughey was a northsider: he knew how to deal with people, and how to get things done. While FitzGerald remained aloof and remote, Haughey came to Gregory’s run-down office and drank with his team in the local pub. He impressed them with his knowledge of the area and his willingness to meet their demands. Over a series of three meetings, he seduced them, and they, in turn, succeeded in winning him over to perhaps the most radical anti-poverty scheme in Irish history.

That became known as the Gregory Deal. Gregory voted for Haughey and he duly became Taoiseach – the deal was denounced by the establishment as flagrant vote-buying; its radical, progressive content was largely overlooked.

Before much could be implemented, Haughey’s government collapsed, in November 1982, after a bizarre series of scandals. Some of the deal’s measures were adopted by the new government; others fell by the wayside. Thirty five years later, Dublin’s inner city is again the focus of national political attention and promises of investment; but such attention has proved fleeting in the past, and the promises insubstantial.

Source: http://www.fishamble.com/haughey-gregory.html

​Colin Murphy writes plays about politics, and journalism. He is the author of a series of plays on Irish political history: Haughey/Gregory, on the 1982 “Gregory Deal”, Inside the GPO, on the Easter Rising, Guaranteed!, on the bank guarantee of 2008, and Bailed Out!, on the subsequent crisis and Troika “bailout” of 2010, all produced by Fishamble. He adapted the latter two for screen, as The Guarantee and The Bailout (both produced by John Kelleher Media). He adapted the Charlie Bird book A Day in May for the stage. His verbatim dramas, Jack Duggan’s War and Judging Shaw (based on Fintan O’Toole’s book of the same name) have been staged by ANU Productions. His short film Leave to Remain was made for RTÉ Storyland (produced by Treasure Entertainment). He writes a weekly column for the Sunday Business Post.

Haughey | Gregory can be seen at An Grianan Theatre on Tues 7 May 2019.

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Shaking the Tale… where did it come from?

It’s 2017 and I’m sitting with Philip Parr, drinking coffee in the March sunshine at the International Community Arts Festival (ICAF) in Rotterdam. We’re talking about the ICAF experience and also flying kites — floating ideas about working on something together. We’d met back in July 2015 at a symposium I was curating, entitled Beyond the Pale* – Meet the Makers. The weekend featured a number of theatre makers who create work outside of the usual urban supports. The conversations had continued after that and Philip and I had some vague ideas, but nothing concrete. As the Dutch coffee leaves dark rings in the cups, we hatch a plan, to make an off-site, community production of The Winter’s Tale… we stare at smartphone screens of Google Maps, looking a potential locations and I show Philip Greencastle and the tip of Inishowen in County Donegal, and the sands of Magilligan Point in County Derry and that is the beginning of a fascinating journey.

Shaking the Walls

It’s December 2017 and Philip calls me, saying, ‘I’m in the middle of a Creative Europe funding application, it might suit the Winter’s Tale. Would you and An Grianán like to come on board?’ All through Christmas we email each other and email Gdański Teatr Szekspirowski. There are budgets and forms, conversations and misunderstandings — we all speak English for ease of communication, but the colloquialisms and the curious habits sometimes need further explanation. There are more project descriptions and more budgets, but finally we agree and the application is sent.

It’s July 2018, and I get another call from Philip, ‘We got it!’ he says. “Got what?’ I reply. And so Shaking the Tale is born, and we can’t wait to tell the world of our plans. But we are also filled with apprehension and not a little concern… What did we say we’d do? That feeling lasts a few days while we search back and look through the folders of documents, long forgotten, hiding on out computers.

And go through those walls we will, whether they be political, sectarian, racist or simply the walls we build in our own lives.

It’s November 2018 and we’re sitting in the Green Room of Gdański Teatr Szekspirowski, chatting with the partners at our first meeting. Accents and faces new — ideas and conversations we thought were once simply a flying kite over Rotterdam, are now real. Shaking the Walls… diagnosing the walls that divide communities, and how through theatre we might break them down. The words of James McDyer, the priest from West Donegal come to mind, ‘If you come to brick wall, you either get over it or go through it.’ And go through those walls we will, whether they be political, sectarian, racist or simply the walls we build in our own lives.

By Guy Le Jeune

 

Production partners and funders: Shaking the Tale is produced by An Grianán Theatre and Parrabbola as part of Shaking the Walls. Co-funded by the Creative Europe Programmed of the European Union. Additional support comes from Donegal County Council, the Arts Council of Ireland and the Earagail Arts Festival.

Shaking the Tale is part of Shaking the Walls, a project co-funded by the Creative Europe Programme of the European Union. The project is led by Gdański Teatr Szekspirowski (Poland), the other partners are Parrabbola (UK), Cooltour Ostrava (Czech Republic) and Ratatam (Iceland). As well as Creative Europe, our co-funders for Shaking the Tale include the Donegal County Council, Arts Council of Ireland and the Earagail Arts Festival.

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